One of the things that I’ve been working on here at CHS is selecting images for the upcoming photography show, Through A Different Lens. We’ll be showing photographs by three different Connecticut photographers, all women, and in telling their stories, we’ll also be telling the story of the history of photography. I wanted to share this little gem* of a tinype, a portrait of Emily C. Brainard, handcolored and presented in a brass mat on a paper mount.
![Example of the brass mat on a daguerreotype. Lilla E. Kellogg? Photographer unknown. The Connecticut Historical Society collections. 2025 [accession number]](https://manuscripts.files.wordpress.com/2013/08/img_20130816_165143.jpg?w=584&h=438)
Example of the brass mat on a daguerreotype. Lilla E. Kellogg? Photographer unknown. The Connecticut Historical Society collections. 2025 [accession number]
Portrait tintypes were often handcolored to give the illusion of rosy cheeks, which is visible in the above example. Brass mats, used in daguerreotype and ambrotype packages, were used to present tintypes, even though structurally they were unnecessary. This little gem-sized tintype is also mounted to a carte de visite-sized mount with a pre-printed decorative frame. This size of the tintype was probably the cheapest available, and the over-sized presentation was probably to ensure that the recipient didn’t lose it.
This and other cool photographs will be on display from October 2013 to March 2014!
* Pun intended. Gem-sized tintypes were 1” x ¾”
** Pun intended.
Tasha Caswell is a Project Cataloger/Researcher at the Connecticut Historical Society